top of page
Contraband Theatre logo with a red spotlight moving over the image.

We use radical hospitality to produce new plays that highlight our region.

Professor House
by Jacob Juntunen
Directed by Sam Hayes
October 8 - 25, 2025 @ 7:30pm
The Chapel, 6238 Alexander Dr, St. Louis
​​Tickets​: $0-40 Pay What You Wish

Okay, so it’s 2046, and a burned-out poet-professor is holed up in his attic office. Why isn’t he writing? Well, because perched on his desk like a gargoyle is his dead grad student—ghastly in white makeup—daring him to commit suicide.

The student died in the 2041 pandemic, but helped invent something that made the professor—and his university—very, very rich. That blood money still haunts him. The dead grad student (ghost, demon, guilt projection?) forces the professor to relive key moments of their tangled relationship.

So, is this memory tour going to save him? Or push him over the edge?

Like a memory play with a ghost—or a ghost play with memories—there’s a ghost (maybe), a family (barely), and a reckoning (definitely).

Professor House Image.png

Our Next Show:

Anchor 1
Our Story with the red spotlight and pencils that look like trees

Contraband Theatre consists of co-producers Jacob Juntunen and e.k. doolin, and executive officer, Dr. Meghann Pytka. Contraband produces new plays in St. Louis and fosters a community-based, flyover-focused, and human-centric model of theatre in an intimate and welcoming setting. We invite panels of experts who connect the themes in our plays to the community where we perform them. Also, we love to provide free food! We employ diverse artists in accessible locations and promote radical hospitality by making every ticket pay-what-you wish, $0-$40. We exclusively produce new, regional work.

While we intentionally operate outside a 501(c)(3) structure, our fiscal sponsorship through Fractured Atlas, small team, and advisory model allow us to remain nimble, responsive, and artist-led. We can say yes quickly to community opportunities and build programming with minimal overhead.

 

Welcome!

Anchor 2
PRODUCTIONS header
Bawdologs UPDATED STL Fringe 2025.png

The Bawdalogs

Co-Produced by Glass Elevator

For the St. Louis Fringe Festival

Created by the Ensemble

English teacher Mrs. Bodd loves William Shakespeare so much. (SO much!) However, she's yet to convince any of her students (ever) to love the Bard as much as she does - or frankly, at all. But this year, THIS YEAR, she's discovered a new resource - the Living Shakespeare Museum - which recently installed a new exhibit that features all of Shakespeare's female characters. And despite budget cuts, and the general deconstruction of public education, she's found a way to get her students to visit that museum (plasma may or may not have been sold). So climb aboard the big, yellow, school bus for a field trip with Mrs. Bodd to experience the Bawdologs. 

Featuring:
Ashwini Kherdekar Arora

Chrstina Yancy

e.k. doolin

Ellie Schwetye

Kayla Lindsay

Lize Lewy

Sarah Lantsberter

Summer Baer

Zac Grimm

Tech:

Zac Grimm

Ellie Schwetye

Ozark Phantasmagoria Instagram-2-Ozark Phntasmagoria for Instagram.png

Ozark Phantasmagoria

Written and Performed by Ursa Miles

A rare opportunity to see acclaimed Ozark storyteller Ursa Miles in St. Louis! 

The Ozarks in the 1930s is a strange and mystical place. As new dams are built and towns plunged underwater, cryptids that once hid in the woods and the rivers are forced into contact with humans. When Sarah Jane's brother is taken, it is the hills that will be her revenge.

A benefit performance for Contraband Theatre.

Am I Dangerous Image.png

All of her life, sixteen-year-old Philoten has been told about dangerous women. Those who flaunt their bodies. Those who are different. Those who do not follow the rules. And she’s tried, so hard, not to be dangerous. But then, something really awful happens. A few things, actually, but one of them is unforgivable and forces her to ask the question of herself, Am I Dangerous?


Am I Dangerous? springboards off ancient questing stories like Shakespeare’s Pericles, creating a brand-new fem-tagonist origin story with themes around coming of age, familial reconciliation, bodily autonomy, and cultivation of the native and natural biosphere.

Featuring:
Tress Kurzym, Director

e.k. doolin, Playwright

Rachel Bailey as Lychorida

Jade Cash as Marina

Zahria Moore as Dionyza

 Allison Sexton as Philoten

Erik Kuhn, Set Designer

Tress Kurzym, Costume Designer

Theresa Comstock, Lighting

De'Janna Hand, Sound Designer

Jack Gulley, Stage Manager

Sadie Harvey, Intimacy Coordinator

Maribel Paty, Lobby Display Assistant

Jacob Juntunen, Co-Producer

Nominated for Outstanding New Play by the St. Louis Theater Circle (award announced 3/24/25)

The script had a workshop production at Southern Illinois University, Carbondale

Okay, so, in 2041, during a future pandemic, Kathryn returns to her childhood home to take care of her aging parents. But her dad just wants to eat sandwiches and play puppets. Her mom is pissed that the smart city locked them in the house. Kathryn’s boss wants her working in person at their off-Broadway theatre as Education Director for a century-old snoozefest play. Kathryn doesn’t want to explode her carefully built theatre career, but she’s got to take care of her parents, doesn’t she? After all, they took care of her during the last pandemic. And this whole mess isn’t bringing up any unresolved feelings, is it? Nothing worth mourning anyway. Right?

Featuring:
Ellie Schwetye, Director

Spencer Lawton, Assistant Director

Jacob Juntunen, Playwright

Ricki Franklin as Kathryn

Joseph Garner as Joseph

Kelly Howe as Deb

 Joshua Mayfield as Kris

Caleb D. Long, Set Designer

Carly Uding, Costume Designer

Morgan Brennan, Lighting

Ellie Schwetye, Sound Designer

e.k. doolin, Dramaturg & Producer

Spencer Lawton, Stage Manager

Ely German, Marketing Art Director

Semi-finalist for the Bay Area Playwrights Festival

Nominated for Outstanding New Play, Outstanding Supporting Performer in a Drama, Female or Non-Binary role, and Outstanding Performer in a Drama, Female or Non-Binary Role  by the St. Louis Theater Circle (2023)

The script has had readings with Tantrum East Theatre and Southern Illinois University

After the president's contested re-election, Emma has to leave her home in St. Louis in a desperate bid to escape the USA.

Cast (in speaking order)

EMMA: E.K. Doolin

ANNE: Stephanie Stroud

JENN: Deanna Lee

LIZ: Jennifer Remke

JOHN: Minoru Jackson

ALEX: Peter Moore

18 Months After November began in October 2020 as a short play that Jacob Juntunen wrote for an evening of streaming pieces with his students at Southern Illinois University, Carbondale, where he heads the MFA Playwriting program.

 

The short play was met with such enthusiasm that Jacob continued the story, imagining what could happen to the USA after a highly contested election. He finished the first draft of the play in October, cast it during the long counting of the presidential election ballots in early November, and filmed it shortly after the election was called for Biden on November 7th, 2020.

 

Even so, the ultimate twists and turns the play takes make it eerily relevant today. It won a Pet Projects Grant from Jeremy O. Harris to produce.

Dorothea is a young, Midwestern Evangelical whose faith and steadfast love for her best friend, Lucy, and new husband, John, are put to the test by her child-to-be. Faced with medical complications that leave Dorothea and her pregnancy at risk, these three characters must make decisions that rupture the boundaries between their religious beliefs and complicated feelings for one another.​

Featuring:
Greg Aldrich, Director

Jacob Juntunen, Playwright

Kristin Doty as Dorothea

Abigail Warhus as Lucy

Mike Terrana as John

MK Hughes, Set Designer

Da'Veon Burtin, Costume Designer

Brooke Oehme, Dramaturg

Patrick Burke, Stage Manager

Rita Medina, Marketing DIrector

Semi-finalist for the Eugene O’Neill National Playwrights Conference; finalist for the Activate Midwest Theatre Conference, for the March Forth Productions Summer Series, and for production at the Source Theatre Festival.

 

The script has had readings at The Last Frontier Theatre Conference,

 Will Geer’s Theatricum Botanicum, and Chicago Dramatists.

Anchor 3
Spotlight section header
Anchor 4
Contact section header

Join our mailing list

Thanks for subscribing!

Jacob Juntunen

jjuntunen@yahoo.com

jacobjuntunen.com

  • Instagram
  • Facebook
  • YouTube
Make a tax-deductible donation thanks to our fiscal sponsor, Fractured Atlas. Click below!
Fractured Atlas donate button--light--alpha.png
bottom of page